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It's also, interestingly, the director's first fiction movie that includes no references to mortality or after-death rituals. Where that film boasts a wealth of themes and characters, though, this one is simpler and more conventional. Like Father, Like Son continues some of the themes of its predecessor, I Wish, in which two brothers are separated by their parents' divorce. Easygoing Yudai is certainly the anti-Ryota, but all he gets are a few nice moments. The architect's trajectory is unsurprising, and not balanced by any other character's journey. He's the only actor with the same name as his character.īut it's Ryota who remains the focus, which is why this film registers as one of Kore-eda's lesser efforts. Kore-eda often begins his movies with documentary interviews or workshops, so it seems likely that this project's genesis involved Keita Ninomiya. Yudai and Yukari don't like that idea, but even when all four parents come to a decision, they may not be able to live with it. Unprepared to give Keita up, and shocked that his biological son is being raised in a crummy rural appliance shop, Ryota proposes taking both boys. The other boy's name is Ryusei (Hwang Shogen), and he's the oldest of three kids who live a modest, messy life very unlike Keita's.įor the next year, the two families struggle with feelings and logistics.
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Like father, like son? Yes, but turns out it's nurture, not nature: Summoned to a meeting at the small-town hospital where Keita was born, Ryota and Midori learn that their son was switched with one born to Yukari Saiki (Yoko Maki) and her husband Yudai (Lily Franky). This true-story drama centers around a small-time narcotics dealer Lee Doo-sam (played by Song Kang-ho), who eventually becomes the infamous king of narcotics in Korea in the '70s. Ryota is impressed, too, since this model father-son bonding experience never happened. While quiet Keita is less than a prodigy at the piano, he's already skilled at bureaucratic gamesmanship in the movie's opening scene, the boy impresses an elementary-school admissions officer with a tale of going camping with his father. But he's made it clear to their son, Keita (Keita Ninomiya), that dad has big plans for him. There's no reference to a child in the Japanese title, which means "And So He Becomes a Father."Īt the center of this engaging if ultimately predictable film is a man who technically became a father six years ago: Ryota Ninomiya (actor and J-pop star Masaharu Fukuyama) is an ambitious Tokyo architect who leaves most of the nurturing stuff to his wife, Midori (Machiko Ono). But the English-language title of his latest movie, Like Father, Like Son, is a little misleading. It makes us feel so sad.Tokyo filmmaker Hirokazu Kore-eda is known for deft work with kids, sometimes in scenarios with little or no adult presence. The power-hungriness, contempt, violence, and the narcissistic need to subjugate and humiliate are made quite evident in the king's interactions with his son. The film is essentially a portrayal of a power struggle between a narcissistic father and his emotionally abused son, who initially strives to earn his father's love and admiration but eventually rebels against his father once he realizes that he can never please him nor truly earn his respect. Which one of them is right, and which is in the wrong? We simply can't tell because the crown prince longs to feel his father's love, but all he gets is scolding and humiliation. There are two sides to this story: a son begging for a father's love and affection, and a father teaching his son to become a competent king.
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One of the most tragic stories in Korean history is the death of Crown Prince Sado at the hands of his father, King Yeongjo. When it comes to sad film genres, family-related conflicts never fail to make us cry. 1 why he wanted to be a doctor, and he said that it's because of his brother and bunny. Another one of Shi-on's heartbreaking lines is when he was asked in Ep. He confesses: "If I were a better person, I would have been a better man for you who can comfort you and make you happy." (I swear you'll want to hug and comfort.) Shi-on being hurt physically, emotionally, and mentally is so heart-wrenching.
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He also thinks that he won't be liked by his crush, Dr. But his mental incapacity results in conflict with his peers and patients, who view him as childlike and unreliable. If intelligence were all that he needed, it wouldn't be a problem for him. An ensemble cast of Korea's top stars, including Jun Ji-hyun, Kim Hye-soo, Kim Soo-hyun, and Lee Jung-jae, star in this Ocean's Eleven- like heist comedy about a motley. You can't help but sympathize with Park Shi-on, an autistic savant who enters the field of pediatric surgery as a resident. Each episode of this 20-episode drama will make you cry.